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Ideological and aesthetic principles of Mikhas Mashara’s and Maksim Tank’s creativity of the pre-september period
Abstract
In the article we, using the example of the analysis of the critical thought of M. Tank and the work of M. Mashara, notes that the Western Belarusian literary process was characterized by a polyphony of ideological and aesthetic principles. Three periods of ideological evolution are distinguished in the pre-September works of M. Mashara, among which only the second (1936–1937) was largely consistent with the ideological and artistic beliefs of M. Tank. We made a conclusion that M. Mashara's poetry is characterized by the predominance of personal reflections even in poems with social issues, which could not find understanding with M. Tank.
About the Author
D. Yurkoits
National Library of Belarus
Belarus
Belarus
Yurkoits Dzmitry, Postgraduate Student of Belarusian State University, Methodist of Library Science Department
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Review
For citations:
Yurkoits D. Ideological and aesthetic principles of Mikhas Mashara’s and Maksim Tank’s creativity of the pre-september period. Library World. 2025;(4):65-71. (In Russ.)
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